LA PICCOLA RUSSIA is an animated short by italian master-painter/animator/filmaker GIANLUIGI TOCCAFONDO. (via la piccola russia « One1more2time3’s Weblog
)
The Electronical Rattle Bag
i'm burningfp
this is a scrapbook
i make:
an animated journal
animation
comics
notes
i like:
portraits notebooks
drawing animation
comics painting
art mind maps
music quotes
photography
typography
Designed by Redfield. Icons by Cameron Hunt TumbleLog by Paul Greer
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Try these:
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Entanglement (via Reciprocity)
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wbst:
liquidnight: Dave McKean - From The Sandman Dustcovers
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Bewbs!!
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the cramps
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I know I’ve reblogged this before, but I think it is necessary again
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John Dickie, gold and silver Versace-logo-encrusted Mexican druglord pistol, Mexico City, via Planet Magazine
See also: the guns from ‘Romeo and...
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(via loveyourchaos)
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L7: “Shove”
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Gone But Not Forgotten by John William Waterhouse.
Animated Journal Number 6
(The-Farmer-is-drunk-again edition)
zeigarnik:thesoftmachine:membrane:
Len Lye / Free Radicals / 1958 / Voir aussi la version électronique et grand écran de Jori Hulkkonen / Bend Over Beethoven / Turbo Recordings.
Reblogged from Check it!.
littlekhole: “So Julia Pott mentioned to me that she’s doing this collaboration for The Decembrists a while back. Since I don’t really follow The Decembrists in any way I kind of forgot but she just sent me the link to the trailer - basically on October 19 in Los Angeles marks the debut of Here Come the Waves: The Hazards of Love Visualized, a collaboration between the band and four filmmakers, Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria — each of whom have created animation to accompany a section of the album. At the show, the band will perform the entire album synchronized with the animation, as well as an additional second set of older and newer material.
GENIUS.”
proofmathisbeautiful: “This animation is great! The shapes and the movement is awesome! I wish I was going to be in La for the opening!”
Doing it right.
Reblogged from Proof.
“Women do not do any of the creative work in connection with preparing the cartoons for the screen, as that work is performed entirely by young men. For this reason girls are not considered for the training school.”
— A 1938 rejection letter from Disney to a woman looking for a job as animator.(via njeyns, arseniccupcakes)
Reblogged from L’Aureola.
